European Photography is an independent art magazine for international contemporary photography, new media and artificial intelligence. Founded in 1980 by German artist Andreas Müller-Pohle, it is considered one of the most influential and pioneering publications in the field, reflecting and shaping the major shifts in contemporary photography – from the renaissance of independent photography in the 1980s, through the digital revolution of the 1990s, to the current upheavals in artificial intelligence – in both theory and practice. Exquisitely designed and printed, European Photography is published twice a year in English and German, with a premium readership of creative professionals and institutions worldwide. As photo art historian, critic, and publisher Jens Friis puts it, “The art magazine that has set a standard in publishing”. 

Energy & AI Manifesto. Energy is an epochal force. After the age of fossil and nuclear fuels, another transition – to sun and wind – has become inevitable if we are not to wreck this planet. Instead, investments continue to flow into scenarios of disaster. 

A look at old and new energy sites by Tom Hegen, Paul Rider, Andrea Botto, Mishka Henner, Yuyang Liu, Jamey Stillings, Roel Backaert/Niels Schrader, and Paul Swagerman
 
| Life Without Power: Jhoane Baterna-Pateña in Conversation with Marco Garofalo | Energy Future Glossary | Machine Images – a manifesto in eleven theses on photography and artificial intelligence, proposing a valid term for the new images: datagraphy, by Andreas Müller-Pohle | Ruralism, by Felice Gualtieri | Book Reviews: Karol Szymkowiak, Mimi Mollica, Brooke DiDonato, David De Beyter, Josef Koudelka, Rebecca Ann Tess