14 January 2012
Making a future in the industry
Classical Music magazine sits at the heart of the profession, providing news, opinion, resources and practical advice that supports professional musicians and those who serve the industry to build and sustain successful careers. Our team of dedicated editors and contributors all have backgrounds in music and journalism and we are passionate about the future of classical music.
We champion the achievements of those working in music-making across genres and campaign for increased support in tackling the challenges that arise from this rapidly changing political, financial, technological and social landscape.
Mezzo-soprano Jamie Barton talks witches, Wagner and body positivity; Tom Redmond takes the helm at Chetham's School of Music during its year of 50th anniversary celebrations; and our guide to the top 10 universities offering the best music courses in the UK.
Plus, Cowbridge Music Festival's mentoring scheme for musicians at the start of their careers; Naxos teams up with the Brazilian government to promote the country's composers; Cheltenham Festival launches its first Composium; Daniel Kidane's commission for the Last Night of the Proms; the new Britten-Shostakovich Festival Orchestra brings together young musicians from Britain and Russia; Orchestra of the Swan's David Le Page; Wildkat PR; and Boston Early Music Festival celebrates its 20th biennial season.