Gramophone

Gramophone has been the world’s leading authority on classical music since 1923. With 13 issues a year every edition will enrich your classical music knowledge with in-depth interviews and features about composers past and present, plus established and new artists from across the globe. Each issue includes over 100 reviews of the latest CDs, downloads, DVDs and books all written by our globally acclaimed panel of expert critics. Gramophone is the magazine for the classical collector, as well for the enthusiast starting a voyage of discovery.


The trial issue features an in-depth retrospective on Schubert’s Winterreise, with input from some of the leading performers of the song cycle, including Jonas Kauffman, Ian Bostridge, Gerald Finley and Brigitte Fassbaender.


It also includes an interview with the San Francisco Symphony’s conductor, Michael Tilson Thomas; the New York Philharmonic’s Music Director, Alan Gilbert, discusses Nielsen’s Fifth Symphony; plus we look back at the remarkable career of American soprano Leontyne Price.


Also featured in the trial issue: we analyse the breakthrough works of John Adams, we reconsider Sir Thomas Beecham’s classic recording of Puccini’s La bohème, and we recommend the very best recordings of Rachmaninov’s Symphony No 2.

Please note: This is the North American edition of Gramophone. It includes all the pages of the UK edition and also a specialised 16 page supplement each issue, “Sounds of America”. This details the most exciting musical developments across North America as well as reviewing the most interesting specialist American releases.

Dernier numéro

In the January issue of Gramophone, on sale from December 31, we interview the French-Danish soprano Elsa Dreisig about her new album of Mozart arias, in which she unflinchingly portrays nine female characters as modern, complicated, women with real, often messy lives. Plus, we speak to British clarinettist Michael Collins about his new recording of the Brahms Sonatas, timed to celebrate his 60th birthday, and discover more about the pioneering ‘Haydn 32’ recording project by talking to its conductor, Giovanni Antonini. Meanwhile, in Collection, Jeremy Nicholas asks which is the best recording of Grieg’s mighty Piano Concerto, and of course the month′s classical releases are reviewed by our panel of expert critics, with the very finest being named Editor′s Choices.