The Wire

The Wire is the world's leading independent monthly music magazine. The first issue was published in 1982. More than four decades on the magazine remains committed to reporting on a dynamic global network of underground, alternative and experimental musics by publishing journalism and photography by some of the subculture’s most original and authoritative critics and observers.

A digital subscription gives you access to the complete online archive of back issues of The Wire since issue one, summer 1982 — that's over 40 years, 470 issues and 40,000 pages. Click here to read the free trial issue, or click here to see the full archive.

Digital only subscriptions can be bought by clicking the Add to basket button below.

Print subscriptions — which also include free access to all the digital issues — are available direct from  The Wire shop priced from £41 for six months — click here for details.

If you subscribe via The Wire or Exact Editions you can view the complete archive online as well as via the iPhone, iPad, Kindle Fire or Android apps. Please note that if you subscribe via an app, you only get access via that app.

Digital subscribers also get full and exclusive access to The Wire's complete archive of audio downloads in the Below The Radar series - click here for details - and The Wire Tapper series - click here for details.

For details on campus-wide digital subscriptions for institutions, please email support@exacteditions.com.

Haruomi Hosono, Crystabel Efemena Riley, Bromp Treb, Christer Bothén, Blackhaine, KASAI, Use Knife, Nina Garcia, Invisible Jukebox: DJ Scotch Egg, Epiphanies: Joy Guidry on Sun Ra, The Inner Sleeve: Djrum on Svarte Greiner, Unlimited Editions: Dusty Ballz, Global Ear: Dhaka, Against The Grain: trans and queer people in underground music scenes, David Toop on Japanese exotica, plus reviews of Mourning [A] BLKstar, Kevin Drumm, Bennie Maupin, Column 258, DJ Haram, Nazar, Everything Is Psychedelic, Ben LaMar Gay, Meredith Monk, Long Play Festival, Reading Group, and more.