SOURCE is the essential magazine for intelligent and independent discussion of contemporary photography. Each issue brings you the latest news, portfolios by emerging and established photographers, well researched feature articles, reviews of the most important exhibitions and books, and specialist columns offering deep analysis on various photography related subjects.
Published since 1992, Source is a quality quarterly magazine that provides readers with a critical discussion of photographic practice and an appreciation of the importance of photography in the wider culture. Your subscription will include access to over a dozen back issues of the magazine.
Photographers recently featured in Source include: Victor Burgin, Hannah Collins, Thomas Joshua Cooper, Sarah Dobai, Richard Gilligan, Emma Hart, Anthony Haughey, John Hilliard, Karen Knorr, Sirkka-Liisa Knottinen, Hew Locke, Mari Mahr, Trish Morrissey, Suzanne Mooney, Wendy McMurdo, Mark Neville, Roger Palmer, Steven Pippin, Paul Seawright, Simon Starling, John Stezaker, Jane and Louise Wilson and Donovan Wylie.
Our regular contributors include leading writers on contemporary photography such as David Campany, David Bate, David Brittain, Pavel Buchler, Stephen Bull, Justin Carville, Mark Durden, David Evans, Colin Graham, Alison Green, Roger Hargreaves, Rebecca Hopkinson, Daniel Jewesbury, Martha Langford, Anthony Luvera, Mary Warner Marien, Alicia Miller, Matt Packer, Eugenie Shinkle, Lucy Soutter, Ian Walker, Edward Welch and Judith Williamson.
Emily Mark-FitzGerald asks what is left out in the current trend for colourising photographs
April Yee interviews Richard Ovenden head of the Bodleian Library about why they are collecting photography.
Columns: Fashion photography from Man Ray, the market in analogue photobooths, being an industrial photographer.
New portfolio by Elena Helfrecht.
Archival work from the National Folklore Collection.
Retrospective of the work of Ori Gersht.
Reviews: Book Reviews: Das auge Des krieges: ukraine 1941/2, Dieter Keller; Berlin Mai 1945, Valery Faminsky; All At War: Photography by German Soldiers1939-45 - by Pippa Oldfield. Photography of Protest and Community, Noni Stacey - by Tom Allbeson. The New Woman Behind the Camera, ed. Andrea Nelson - by Sabine Kriebel. Negative/Positive: A History of Photography, Geoffrey Batchen - by Roberta McGrath. The Figure of Christ in Contemporary Photography, Nathalie Dietschy - by Harriet Riches. Allan Sekula, Art Isn′t Fair, ed. Sally Stein & Ina Steiner - by Mads Holm. See/Saw: Looking at Photographs, Geoff Dyer - by Eve Forrest. The Decisive Network: Magnum and the Postwar Image Market, Nadya Bair - by Sarah McDonald. Like a Lake: A Story of Uneasy Love and Photography, Carol Mavor - by Mick Gidley. Index Cards, Moyra Davey - by Julia Tanner. The Subversion of Images, Paul Nouge - by David Bate. Paradise City, Sebastien Cuvelier - by Edward Welch. Photography′s Neoliberal Realism, Jorg Colberg - by Simon Denison. On Landscape and Meaning, Richard Misrach - Jesse Alexander. Poor, Caleb Femi - by Jessie McLaughlin. Self- Published Book Reviews: by Colin Pantall.