#327 September - October 2019
Since 1967, Flash Art is synonym of a cutting edge perspective on contemporary art and global art landscape. Renowned for its iconic covers, currently active with International and Italian Edition, the magazine remains – after more than five decades – committed to analysing and reporting established but also experimental art practices and happenings in the art world, publishing essays by the most authoritative critics and observers together with artists statements and special projects exclusively conceived for the magazine.
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This issue with twelve-pages dedicated to the work of Lynette Yiadom-Boakye, also featured on the cover, consist in a multifaceted reflection on individuality and collectivity in a wide range of contexts — including psychology, public and domestic space, the internet, and the environment.
In this issue: Olafur Eliasson, Neïl Beloufa, Amnesia Scanner, Genesis Breyer P-Orridge, Tomás Saraceno; a conversation between Shumon Basar, Douglas Coupland and Hans Ulrich Obrist on "The Extreme Self"; an essay by Marina Fokidis, and the second episode of The Curatorial Gaze, a column by Pierre Bal-Blanc.