SOURCE is the essential magazine for intelligent and independent discussion of contemporary photography. Each issue brings you the latest news, portfolios by emerging and established photographers, well researched feature articles, reviews of the most important exhibitions and books, and specialist columns offering deep analysis on various photography related subjects.

Published since 1992, Source is a quality quarterly magazine that provides readers with a critical discussion of photographic practice and an appreciation of the importance of photography in the wider culture. Your subscription will include access to over a dozen back issues of the magazine.

Photographers recently featured in Source include: Victor Burgin, Hannah Collins, Thomas Joshua Cooper, Sarah Dobai, Richard Gilligan, Emma Hart, Anthony Haughey, John Hilliard, Karen Knorr, Sirkka-Liisa Knottinen, Hew Locke, Mari Mahr, Trish Morrissey, Suzanne Mooney, Wendy McMurdo, Mark Neville, Roger Palmer, Steven Pippin, Paul Seawright, Simon Starling, John Stezaker, Jane and Louise Wilson and Donovan Wylie.

Our regular contributors include leading writers on contemporary photography such as David Campany, David Bate, David Brittain, Pavel Buchler, Stephen Bull, Justin Carville, Mark Durden, David Evans, Colin Graham, Alison Green, Roger Hargreaves, Rebecca Hopkinson, Daniel Jewesbury, Martha Langford, Anthony Luvera, Mary Warner Marien, Alicia Miller, Matt Packer, Eugenie Shinkle, Lucy Soutter, Ian Walker, Edward Welch and Judith Williamson.

Bonds: Israa Alrrayah and her family escaped from the war in Sudan. She writes about the meaning of family photographs for people who have lost them. Objects can be charged with the presence of absent loved ones. Morwenna Kearsely writes about photographs of these objects and how these inanimate portraits can capture the connections between people. 

PORTFOLIOS: two works, Visible Repairs and Virgins on the Cross by Ada Marino are about family history and the romantic myths of motherhood. Alan Wilkinson’s work Gus charts his evolving relationship with his son and his son's relationships with his peers. Audrey Blue works with self-portraits and photographs of close friends, or passers-by whom she has subsequently got to know. Rosamund Taylor writes about the work and a tension that runs through the photographs: ‘the hazards of youth, and the opposite: the wild joy of laughing with friends’.

REVIEWS: Exhibitions about Picture Post, Paz Errázuriz, Sophie Calle and Emma Spreadborough. Book reviews: Sally Stein essays, Talking About Photobooks, Glitching Photography, De Adem Van De Berg, Jason Fulford and more