New: The complete digital archive of OPERA, stretching back to 1950, is now available to subscribers! Explore over 70 years’ worth of articles, reviews and photographs: an unparalleled resource within the operatic world.

Described as "the bible of the industry" (The Daily Telegraph), OPERA has been the world’s leading commentator on the lyric stage for nearly 70 years.  Founded in 1950 by the late Lord Harewood, we continue to provide unrivalled coverage of events through a mixture of reviews (live performances, recordings, books, CDs and DVDs), features and analysis, plus listings of all major opera houses and events worldwide.  Our long-standing editors – Harold Rosenthal, Rodney Milnes and, since 2000, John Allison – have ensured continuity and our editorial board is made up of the most distinguished opera critics from Britain’s national newspapers.  Though London-based, we have a network of international correspondents, covering performances from every corner of the globe.

Access to this digital version and the opera archive is FREE with your print subscription!

Please visit www.opera.co.uk and subscribe to Opera magazine to gain your account/subscription code. Then follow the instructions below for full FREE access to the latest issues and the archive.

To access your free digital subscription with your account/subscription code -Click here - Enter your account/subscription code
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Enjoy the world’s leading opera magazine anywhere in the world.

Digital publishing provides a wonderful opportunity to access OPERA wherever you are in the world. You can quickly and easily search every copy dating back to 1950 and each month receive an email when your latest new copy is available to read.

30 day and annual app subscriptions are available via an in-app purchase on the Opera app.

Latest issue

Round table- are there some operas that should no longer be staged

We profile the much-loved veteran soprano Roberta Alexander.

Great singers in great roles: John Tomlinson on singing Wotan, the king of the gods.

Flora Willson celebrates the bicentenary of Pauline Viardot.

Another look at Boito’s opera Nerone, as the Bregenz Festival prepares a revival.

Opera as propaganda: Erik Levi on the Dresden Staatsoper’s 1936 London residency.

Anna Maria Barry uncovers the fascinating career of the Victorian-era baritone Charles Santley.

The baritone Bo Skovhus chooses his favourite recording